This poster created by Shepard Fairey is at the center of the artist's
lawsuit against The Associated Press. Fairey wants a federal judge to
rule that he did not break copyright laws by basing his image on an AP photograph.
Shepard Fairey
The artist who created one of the best-known images from Barack Obama's
presidential campaign is suing The Associated Press with the help of
the Fair Use Project at Stanford Law School.
The AP accused the artist, Shepard Fairey, of copyright infringement
last week. The news cooperative said Fairey wrongly used an AP
photograph as the basis of his "Obama Hope" poster—an image showing the
candidate looking up and to his left, his face shaded in red, white and
blue. The word "hope" crosses his chest in capital letters.
Fairey has acknowledged basing his work on the photograph, taken for the AP in April 2006 by Mannie Garcia.
The AP has not taken legal action against Fairey, but the artist said he's been threatened with a lawsuit.
Fairey's lawsuit, filed earlier this week in U.S. District Court in New
York by the Fair Use Project and the San Francisco law firm Durie
Tangri Lemley Roberts & Kent, seeks a declaration that the artist
did not infringe AP's copyrights in creating the poster and other
related works. The lawsuit also requests an injunction against further
assertion of copyrights by the AP against Fairey or anyone else who
displays his work.
"Fairey did not do anything wrong," said Julie Ahrens, associate
director of the Fair Use Project. "He should not have to put up with
misguided threats from the AP."
In a statement posted on the AP's website, spokesman Paul Colford said
the news organization is "disappointed by the surprise filing" and
Fairey's "failure to recognize the rights of photographers in their
works."
Colford said the AP was in settlement talks with Fairey's lawyers last week, but his lawyers broke off contact over the weekend.
"There should be no doubt about the legality of Fairey's work," said
Anthony Falzone, executive director of the Fair Use Project and
lecturer at the Stanford Law School, who is leading Fairey's legal
team. "He used the photograph for a purpose entirely different than the
original, and transformed it dramatically. The original photograph is a
literal depiction of Obama, whereas Fairey's poster creates powerful
new meaning and conveys a radically different message that has no
analogue in the original photograph."
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